The Proxy Advantage

I’ve recently been employed as a stand-in on the set of a new ABC drama, Body of Proof. If one is offered the opportunity of stand-in work, I highly recommend accepting it. True, on-camera time is not a benefit, but there are so many other rewards that come as a result.

Working as part of “team 2″ enables one to have a wonderfully in-depth on-set experience, learning the various rhythms that make filming so exciting and preparing one for the day that principal work is on schedule. Unlike film sets, television sets are fast-paced, allowing for approximately one episode a week to be declared “in the can.”  A constant and keen listening ear is key, not only to be aware of those necessary times to be quiet, but to learn the standard calls and anticipate those moments when stand-ins will be needed.  Stand-in work also enables one to get to know the working styles of the crew and the director.  Such work can result in long workdays, so it’s important to be well-rested not only for professionalism but to be physically ready to meet the demands of whatever may face one during the day.  An observant stand-in may even have the opportunity to watch and learn from the principals’ performances.

Here are a few of my tips for those working stand-in:

• keep the sides for the day on-hand at all times
• have a pen and highlighter readily available to make any needed notes during rehearsal
• never lose track of your “name tape”, whether it be gaffer’s tape, painter’s tape or duct tape–wear it at all times
• if you need to leave set for any good reason (craft services, restroom, smoke break), always check with your PA first
• the listed call time may be the time you should be on-set and dressed in color cover; be sure to seek clarification
• at the close of the day, inquire with wardrobe about the next day’s dress
• never make yourself a nuisance to the stars, the director or the crew