Wednesday, 3 November 2010
7:10 AM. Wardrobe? Check! Accessories and shoes? Check! Trekked to car…
8:15 AM. Arrived at studio. Previous scenes already in progress.
8:25 AM. Prepared for hair and make-up. Tweeted this photo. Inserted contacts; glasses were given the kibosh for this particular character.
8:33 AM. We were just getting started on the makeup when there was a tremendous noise! One of those events that makes everyone pause.–the building shook! Guys came up from the studio to ask what happened and if we had heard the noise. I speculated it might have been the large bay door on the side of the studio–maybe it had rolled up very quickly. In fact, it was a house exploding about three-quarters of a mile away. Thankfully no one was … Read more »
An unusual situation presented itself to me today. But first, a little background:
Earlier this week a casting director asked to submit my materials to the director of a TV series for consideration for work. I indicated this would be fine with me. Why pass up an opportunity for a director to look at materials?, I thought. A couple of days later this same CD asked if I was interested in doing some background work on a feature film. Since the Industry is in a dip of slowness in parallel with the current economy, I consented to availability for work on the feature film, not realizing both the film and the TV show were shooting on the same day.
Today, the situation (not Mike Sorrentino) appeared in the form of an email in my inbox, reading:
Would you rather work on the film or the TV show?
Hmm. It is an unusual situation when the CD offers the … Read more »
I’ll be working on a set tomorrow and in the detailed documentation I received late this afternoon, there is a “guideline” that has got me thinking. It reads:
I understand there is need to preserve on-set safety and security by not revealing shooting locations. I appreciate the need to ensure plot and screenplay uniqueness, as well as protect viable commercial interests, by safeguarding details of scenes and the storyline. And I grasp the desire to prevent untoward or undesired media coverage of the production, the production company and its employees in advance of the presentation of a final project. But this “guideline” strikes an antithetical chord in me. Should such “guidelines” hinder personal freedoms?
If I enjoy myself while working, may I not say so? If I learn a new technique, should I keep my newfound knowledge to myself? Are employees endeared to a production company and it’s final product through the muzzling of forms of self-expression?
So I ask you, reader: At what point do … Read more »
Hi, my performance pals. As I was preparing my wardrobe (as requested!) for tomorrow’s shoot, I began to reflect on other shoots in which I saw talent arrive unprepared. So, I’d like to make a few suggestions. Please take or leave as you may.
- When requested to bring a specific number of wardrobe options, bring that many if not more! The client has made specifications with good reason.
- Bring ironed or dry-cleaned wardrobe unless otherwise requested. No one should look rumpled on camera.
- Never underestimate the benefits of having dark and light undergarments (e.g., bras, pantyhose, camisoles, tights, socks). You never know what those lights will reveal!
- Bring a lint roller. Lint is no one’s friend.
- Pack deodorant/antiperspirant. Work can be hot.
- Slightly soiled hair holds a style better than squeaky-clean hair. A day’s worth of dirt never hurt anyone.
- Mouthwash can do wonders for your on-set and off-set relationships.
- Bring your own hair elastics, clips and bands. You never know what hair and makeup … Read more »
CONNECT