An unusual situation presented itself to me today. But first, a little background:
Earlier this week a casting director asked to submit my materials to the director of a TV series for consideration for work. I indicated this would be fine with me. Why pass up an opportunity for a director to look at materials?, I thought. A couple of days later this same CD asked if I was interested in doing some background work on a feature film. Since the Industry is in a dip of slowness in parallel with the current economy, I consented to availability for work on the feature film, not realizing both the film and the TV show were shooting on the same day.
Today, the situation (not Mike Sorrentino) appeared in the form of an email in my inbox, reading:
Would you rather work on the film or the TV show?
Hmm. It is an unusual situation when the CD offers the … Read more »
Hi, my performance pals. As I was preparing my wardrobe (as requested!) for tomorrow’s shoot, I began to reflect on other shoots in which I saw talent arrive unprepared. So, I’d like to make a few suggestions. Please take or leave as you may.
- When requested to bring a specific number of wardrobe options, bring that many if not more! The client has made specifications with good reason.
- Bring ironed or dry-cleaned wardrobe unless otherwise requested. No one should look rumpled on camera.
- Never underestimate the benefits of having dark and light undergarments (e.g., bras, pantyhose, camisoles, tights, socks). You never know what those lights will reveal!
- Bring a lint roller. Lint is no one’s friend.
- Pack deodorant/antiperspirant. Work can be hot.
- Slightly soiled hair holds a style better than squeaky-clean hair. A day’s worth of dirt never hurt anyone.
- Mouthwash can do wonders for your on-set and off-set relationships.
- Bring your own hair elastics, clips and bands. You never know what hair and makeup … Read more »
As noted in a recent vlog, a few days ago I shot a national TV commercial! It was an exciting and educational experience. Upon arrival at the location, we were herded like sheep into a too-small, windowless holding area that felt like 90 degrees in Central Florida in July where we waited for two hours. We were specifically instructed by the director that this particular commercial was secret and that upon leaving the room, in no way should anyone know we were anything other than the roles we had been assigned, nor should we mention anything about a TV commercial or recording or the product. In all cases, we were to act, interact and react naturally and normally. A result of all this secretiveness? I can’t tell you the name of the company for which we shot.
Once we got going, the shoot was at times boring, boisterous and entertaining. I made a few good connections, too. After a break for a walk-away lunch … Read more »
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